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James Tissot
La Demoiselle de Magasin (The Shop Girl) (nn01)
1883-85
Oil on canvas,58 x 40 in/147.3 x 101.6 cm
Art Gallery of Ontario,Toronto,Gift from the Corporation Subscription Fund,1968
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James Tissot
Holiday (The Picnic) (nn03)
c 1876
Oil on canvas 76.2 x 99.4 cm 30 x 39 1/8 in
Tate Gallery London
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James Tissot
Self-Portrait
mk52
c.1865
Oil on wood
49.8x30.2cm
M H de Young Memorial Museum,San Francisco
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James Tissot
Colonel Burnaby
1870
Oil on canvas 49.5 x 59.7 cm (19 1/2 x 23 1/2 in)
National Portrait Gallery (mk63)
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James Tissot
Good-bye-On the Mersey
1881
oil on canvas 83 x 52.9 cm
(53 x 21 in)
Forbes Magazine Collection New York (mk63)
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James Tissot
Henley Regatta
mk129
An unchar-acteristic work by the French artist who is better known for his elegant portrayals of fashionable Victorian
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James Tissot
Sojourn in Egypt
mk155
between 1886 and 1894
Oil on canvas
69.2x85.4cm
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James Tissot
Portrait of Mill L L,Called woman in Red Vest
mk156
1864
Oil on canvs
124x99.5cm
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James Tissot
Stillness
mk164
undated
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James Tissot
Portrait of Mrs Kathleen Newton
mk174
1877
Oil on canvas
90x51cm
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James Tissot
The Annunciation
nn09
c.1886-96
Watercolor and gouache on paper
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James Tissot
Hagar and the Angel in the Desert
nn09
c.1896-1900
Watercolor on paper
23.8x15.3cm
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James Tissot
THe Staircase
mk221
1869
Oil on wood
55.9x38.1cm
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James Tissot
The Newspaper
mk235
1883
Oil on canvas
63x50cm
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James Tissot
Berthe
mk235
1883
Oil on canvas
73x59cm
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James Tissot
The painters and their Waves
mk235
c.1885
146x101.7cm
Oil on canvas
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James Tissot
the reception
mk247
1883 to 85,oil on canvas,albright knox art gallery,buffalo,ny,usa
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James Tissot
Autoportrait
Autoportrait
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James Tissot
La femme Prehistorique
La femme Prehistorique
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James Tissot
Le Balcon du Cercle de la rue Royale
Le Balcon du Cercle de la rue Royale (The Circle of the Rue Royale), 1868
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| James Tissot
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French Painter, 1836-1902
French painter, printmaker and enamellist. He grew up in a port, an experience reflected in his later paintings set on board ship. He moved to Paris c. 1856 and became a pupil of Louis Lamothe and Hippolyte Flandrin. He made his Salon d?but in 1859 and continued to exhibit there successfully until he went to London in 1871. His early paintings exemplify Romantic obsessions with the Middle Ages, while works such as the Meeting of Faust and Marguerite (exh. Salon 1861; Paris. Mus. d'Orsay) and Marguerite at the Ramparts (1861; untraced, see Wentworth, 1984, pl. 8) show the influence of the Belgian painter Baron Henri Leys. In the mid-1860s Tissot abandoned these tendencies in favour of contemporary subjects, sometimes with a humorous intent, as in Two Sisters (exh. Salon 1864; Paris, Louvre) and Beating the Retreat in the Tuileries Gardens (exh. Salon 1868; priv. col., see Wentworth, 1984, pl. 45). The painting Young Ladies Looking at Japanese Objects (exh. Salon 1869; priv. col., see Wentworth, 1984, pl. 59) testifies to his interest in things Oriental, and Picnic (exh. Salon 1869; priv. col., see 1984 exh. cat., fig. 27), in which he delved into the period of the Directoire, is perhaps influenced by the Goncourt brothers. Tissot re-created the atmosphere of the 1790s by dressing his characters in historical costume.
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